Wairarapa Wool Weekend all shiny and bright

The first Wairarapa Wool Weekend is done and dusted to a brilliant shine! I had a thoroughly enjoyable time trading, demonstrating natural dye techniques and generally chatting, meeting people, plus a little shopping myself. Thanks go to James from Joy of Yarn in Greytown for conceiving of the idea and making it happen at the Cobblestones Museum in Greytown.

James successfully lured Gudrun Johnston, The Shetland Trader, all the way from the USA to be the guest tutor. As well as Gudrun’s inspiring classes there was a tempting range of workshops, classes and talks from our talented NZ craftspeople. Attendees I spoke to were full of praise and enthusiasm for the various workshops/classes they had done.

My contribution was to deliver a close-up demonstration of eco-bundle dyeing for a lovely group of people. Time flew by and we managed to produce three very pretty variegated skeins of different colours using readily available local plant materials.

I’ve said before, and again….. I am so grateful for the purchases of Kindly Dyer yarns and the feedback and conversations about yarn, dyeing and making in general. These chats spark ideas and make a real difference to how I feel about continuing my dye practice learning and creating colours with new ideas in mind.

It’s interesting too to see what catches the eye of customers.

This time it was the little daisy mittens I’ve been addicted to making. The pink sample pair made with Kindly Dyer “Flora” 4-ply merino and a strand of variegated 2-ply mohair-silk sparked a lot of conversations, ideas for future colourways and the possibility of kits. I’ll explore the idea of kits a bit more and see if I can make this happen in time for Capital Fibre Fest and Woolfest in May. Gee whizz, that’s setting myself an out-loud goal.

There was plenty of variety on offer in the traders hall with selections of both sought after international brands and specialty NZ yarns. The camaraderie amongst traders made the weekend a treat to be part of.

I was delighted to come across a few things that piqued my own creative interest which meant I came home with some local yarn spun at Patrizia Vieno’s micro-spinnery on her farm, Rewarewa Station, at Tinui. Also, some Spincycle multicoloured skeins from Happy-Go-Knitty, a skein of organic Garthenor Shetland Wool from Newtown House and a beautiful little ceramic vase made by Sarah Drake that I just imagined holding little stems of dried flowers from my garden. The surface pattern is the imprint of a fragment of lace fabric. Possibly unusual for me but I already know what I’m going to create with these yarns. One project I’m thinking of will use a Kindly Dyer yarn that I need to dye specially and another needs some embroidery skill development. We’ll see how all that works out in a future post. Watch this space.

All in all, in my opinion, it was a very successful event with a great local vibe and I’ll be keen for the second muster of Wairarapa Wool Weekend in 2027. Meanwhile let’s look forward to May for Capital Fibre Festival and Woolfest. Now it’s time for some knitting.


Fun with bundle dyeing

Recently I’ve had a real buzz from playing about with eco-printing, aka bundle dyeing. I’ve been doing this in a small way for a while with the Palliser Ridge Romney lambswool and wanted to try a different yarn base with the flowers and bits and bobs of foliage I’d gathered up. 

I knew, more or less, what I wanted the result to look like and had figured out how that ought to be achievable based on what I have observed from my dye pots over the last couple of years. As well I’m really grateful that other talented dyers write books, share video clips, pictures and stories of what they do – it all adds to developing my knowledge and practice of natural dyeing.

This time I used a fingering weight plied Merino (treated for machine washability) yarn base (expertly made by Wild Earth Yarns in Christchurch), and prepared it using a standard wash and Alum (plus Cream of Tartar) mordant process. While damp I inserted a planned selection of the plant material – one combination to give me bright bursts of colour amongst swampy neutrals and the other for a medley of bright floral colours on a light, but not quite white, background.

Freshly picked marigolds and coreopsis flowers, dried dahlia heads (these ones were blood red flowers dried to a dark purplish colour), Harakeke (flax) seed-pods, alder cones and 3 varieties of dried Eucalyptus gum leaves.As well I used ground cochineal grits saved in the cloth I use for filtering the cooked cochineal from a previous dye day. I cut this into strips and wound it into the skein.

A pair of skeins for each colour combination – wrapped in gardeners frost cloth and lightly tied. One pair into a pot of dilute flax seed pod dye jus and the other into a pot of avocado pip and skin dye jus. Both brews had been prepared for a previous dye day and the left over jus frozen, and thawed for today.After an hour (ish) at required temperature the bundles were gently removed, drained and cooled slightly before opening to reveal the colours. This is so exciting. The colours and blends are MAGIC.

The results of this play are some of my best I think.

The intensity of colour from the fresh coreopsis and marigolds is fabulous and the dried dahlia heads have imparted a definite greenish grey that is a wonderful combination with the various brown-neutral tones of the flax seed pod and Eucalyptus leaves.

The success of this is just what I needed to inspire me to do more and better still.

Here is a swatch of the bundle that was dyed in the flax seed pod jus. I’ve now finished making a Love Note sweater with this yarn held together with a strand of beige mohair that I had in my stash.